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“Rhythmic Solfeggio for the Creative Jazz Improviser”
The increase in work that opens up once you become known as a proficient sight reader will go a long way in getting rid of these fears. In New York City’s local 802, for instance, the older musicians who are enjoying a healthy union pension right now got there through gigs directly related to their ability to sight read.
Although many musicians may be able to sight read classically oriented music, the skill of reading the kinds of rhythms demanded by jazz and other contemporary sources is lacking in many of them. If this situation is something you identify with you will be able to change this in no time with this amazing manuel.